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Dynamic Balance
How to be Active, Engaged, and Energized without
Burnout
November 2007
[Printer version PDF]
“How do I maintain balance in my life?”
“How do I sustain a high level of energy?”
“How do I relax without just crashing in front of the
TV?”
These common questions reflect the fact that just about
everyone desires to be active and energetic. No matter their age or
vocation, people generally want to be able to stay engaged, to be
consistently productive, and to fully enjoy both work and play alike for
many years to come. Few, surely, desire to have
less energy!
Most of us also recognize that the quality of that
energy is important. We’re not necessarily looking for an increase of
frenetic or agitated energy. Too much restlessness, like too much caffeine,
eventually leads to such over-stimulation that some period of
non-stimulation—that is, ‘crashing’—becomes absolutely necessary. Thus we
understand that some kind of balance
is necessary for sustainable renewal and restoration.
Unfortunately, most of our experience with ‘being
energetic’ involves the restless, frenzied sort of activities, so much so
that many of our so-called ‘vacations’ or ‘recreational’ activities are
anything but relaxing or restorative. The common understanding of balance,
then, is somewhat one-dimensional: it’s thought of in terms of
active vs. passive, or of
effort vs.
non-effort.
(This, incidentally, is probably why TV is so popular.
According to The Bureau of Labor and Statistics,
[see
http://www.bls.gov/news.release/atus.t12.htm] American citizens
watch TV for an average of about 2.5 hours per day; other institutes, such
as A.C. Nielsen, Co., place it higher, up to 4 hours a day. That’s quite a
bit of passive time, in any case.)
To put it graphically, our typical sense of balance has
activity on one end and passivity on the other (Figure A).

In this there is a sense of balance. Unfortunately, it’s
inherently unstable. Our desire to be energetically engaged in life drives
us toward the right (activity), while our physiological reality drives us
toward the left (passivity). Thus we see-saw back and forth, sometimes a
little, sometimes a lot, shifting back and forth trying to find the one
(hopefully) calm and stable point in the middle where we can rest. No matter
how skilled we might become at shifting, however, finding and maintaining
that rest point proves nearly impossible. And such a state of perpetual
tension can only lead, ultimately, to exhaustion and burnout. Sooner or
later, this tenuous balance will fail, and it will take some time, as you’ve
surely experienced, to recover enough strength to try again. Such seems our
common fate.
Yet it’s clearly not
universal. In fact, you probably
know someone who doesn’t share this experience of life, someone who seems
constantly active and engaged without the constant tension, someone for whom
the ‘inevitable’ crash doesn’t even seem part of their reality.
What, then, is their secret?
As I related in my book
Mystic Microsoft, being immersed
in the most intense growth years of the world’s leading software company
brought this question into my everyday awareness. While burnout was
everywhere—many employees didn’t last more than a few years—others seemed to
thrive in ‘The Velvet Sweatshop’ (as one reporter called it) for five, ten,
fifteen years, or longer.
What I observed was that those who burned out were the
ones that kept swinging, like I’ve described, between active and passive:
they’d work long, hard hours, sometimes sleeping in their offices, or when
they went home they’d just watch TV. If you could get them to take vacation,
they’d simply go somewhere and ‘chill’ on a beach or such, where hopefully
their nervous systems got at least a few hours’ break before they had to
return to work.
Those who thrived, on the other hand, worked just as
hard but also played
energetically. It’s like what biographer James C. Hume wrote of Winston
Churchill:
Like a farmer who rotates his crops
for more productivity, he alternated his pen and brush. After a stint of
painting, Churchill found he could return to his study revived. The secret
to his titanic output was in no small way this rhythmic rotation from
library to landscape. As he explained in Painting as a Pastime,
‘Change is the master key. A man can wear out a particular part of his mind
by continually using it and tiring just in the same way as he can wear out
the elbows of a coat by rubbing the frayed elbow; but the tired part of the
mind can be rested and strengthened, not by merely rest, but by using other
parts.’ (From Eisenhower and
Churchill, Prima Publishing, 2001, page 111)
What Churchill discovered, as did my Microsoft
colleagues, was that balance can be found in another
dimension than just
active/passive, namely, the dimension of
qualities. That is, instead of balancing activity and passivity,
they remained highly energetic by wholly engaging in different
kinds of activities that
complement one another (Figure B).
Now you might ask, is this not just as unstable as
Figure A? It does look that way. But here is where we must depart from the
static image of a scale, for we’re talking about the balance of
energy which is, by nature, something
dynamic. It’s not a state of non-activity, or a passive peace, but a
state of engaged activity that yet produces renewal and restoration. As
Churchill said, one part of himself was rested while another part was
active.
To understand how this works, consider the qualities
involved in his two main activities.
Churchill’s role as Prime Minister of England during
World War II was very people-oriented and inherently concerned with
conflict, negotiation, and compromise. It was ‘big’ and ‘significant’ to the
Grand Scheme of Things, concerned with the life and death of nations. It was
very detail-oriented and left-brained, full of endless minutiae of countless
logistical problems and strategic decisions. Its reality was also primary
indoors, oftentimes in stuffy halls or secret subterranean bunkers without
the air-conditioning systems we enjoy today.
Painting, on the other hand, had nothing to do with
people; as Churchill described, he could furiously lash the canvas as much
as he wanted and it wouldn’t hit back. In painting, he could do whatever he
wanted, no questions asked, and no matter what he did, it was utterly
insignificant to the rest of the world. Nobody would die from his artistic
decisions and, like most art forms, it was much more of a right-brained
activity that he could also do outdoors or in front of an open window.
So those parts of his being that were strained through
statesmanship were rested while he painted. Those parts that were utilized
in painting were rested during times of statesmanship. With this awareness
he understood that in every moment, no matter what the activity, there was
always a state dynamic balance within himself. For few activities, if any,
demand our whole being.
To generalize this principle so that you can apply it to
your own lives, the secret of dynamic balance is to find for yourself a set
of energetic activities that complement each other qualitatively. Here’s a
simple process:
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Identify your primary duties and obligations—those
activities that are unavoidable in your life. This will generally
include your job, your family responsibilities, and anything else that,
for whatever reason, is a given structure in your life at present. Three
or four items is plenty; you may only have one or two.
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For each item in (1), identify the main qualities of
that activity. That is, describe it’s “reality” by identifying its
primary types of concern or orientation, the directions of focus, and
what they demand of you physically, mentally, and emotionally.
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For each quality in (2), now identify the
complementary or balancing quality. Condense these words into a shorter
list if there are redundancies.
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Now look at the list of qualities from (3). What
specific activities would involve and/or express some or all those
qualities? That is, what activities could you energetically engage in
that would, by their nature, completely balance the demands of your
duties and responsibilities?
Here’s an example. A woman in a
class I once taught on this subject was employed in data-entry for medical
billing. The reality of this job was that she sat for most of the day
looking at a small computer screen and pouring over details. Precision was
paramount; there was very little human interaction or communication;
productivity was measured by the volume of claims she could process each
day. Expressed as qualities, we have:
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Sitting, lack of motion
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Small visual focus
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Detail-oriented, mental
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Precise or demanding careful attention
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Indoors
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Isolated
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Efficiency-oriented, constant energy
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As she herself found (which was why she was in my
class), watching TV wasn’t a good balance. While it wasn’t ‘work,’ it still
involved many of the same qualities:
sitting, a small visual focus, and isolation. It didn’t necessarily need
efficiency or precision, yet many programs still demand attention to
details, even if only to follow a plotline. In short, watching TV was only
perhaps 20% balancing to her work.
Now let’s follow step 3 and identify the balancing
qualities to those above:
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Sitting, lack of motion
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ð
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Standing, moving
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Small visual focus
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ð
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Wide visual focus
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Detail-oriented
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ð
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Flow-oriented, intuitive
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Precise or demanding careful attention
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ð
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Carefree, diffuse
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Indoors
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ð
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Outdoors
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Isolated
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ð
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Interpersonal, communicative, relating
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Efficiency-oriented, constant energy
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ð
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Experience-oriented, short bursts of intensity
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What kinds of activities, then, would express the
qualities in the second column? How about dance, especially artistic and
group dance (without too many rules or specific forms)? Hiking in nature is
another option. Other outdoor activities and sports can work too, like
boating or kayaking; even team sports (including those indoors) can work
since the rules one has to follow don’t need to be complex. And certainly
there are many other possibilities.
You see? Any number of activities can engage 75% or more
of the balancing qualities. Others, like Churchill’s painting, might satisfy
fewer, yet still be balancing if one’s other activities complete the scene,
so to speak. (Painting has a small canvas, is usually solitary, and often
done seated, but can be done outside and standing.) Other factors might come
into play as well, of course, such as the realities and interests of friends
and family members, or one’s physical limitations.
Whatever the case, balancing all of your activities in
the quality dimension while keeping actively engaged in them gives the
answer to those questions we started with: a dynamic yet relaxed balance
that can be sustained throughout a lifetime.
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